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About Sisterland, by Martina Devlin
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Welcome to Sisterland. A world ruled by women. A world designed to be perfect.
Here, women and men are kept separate. Women lead highly controlled and suffocating lives, while men are subordinate – used for labour and breeding.
Sisterland’s leaders have been watching Constance and recognise that she’s special. Selected to reproduce, she finds herself alone with a man for the first time. But the mate chosen for her isn’t what she expected – and she begins to see a darker side to Sisterland.
Constance’s misgivings about the regime mount. Is she the only one who questions this unequal society, or are there other doubters?
Set in the near future, About Sisterland is a searing, original novel which explores the devastating effects of extremism.
- Sales Rank: #1076113 in eBooks
- Published on: 2015-08-12
- Released on: 2015-08-12
- Format: Kindle eBook
Most helpful customer reviews
1 of 1 people found the following review helpful.
A highly recommended novel, examining a world ruled by women, for women. Men are only required for breeding and manual labour.
By bleachhouselibrary
Sisterland is all about women. Men are only needed for breeding and heavy labour. Women no longer need them and every female has a role within the land. There are limited thoughts allowed, memories are censored via 'memory-keepers' and emotions are strictly controlled. The governing body of Sisterland are a group of nine women, who make all decisions for the good of their country. Mothers are not allowed bond with their babies, male children are not celebrated and the concept of love is unknown. Living quarters are allocated, not chosen, life partners are assigned and every day is extremely regimental. Women can not leave their homes without wearing masks to protect them from the atmosphere and 'nature' is piped in through speakers and air vents in the form of bird song and various scents.
Constance is struggling with controlling her emotions and when she is chosen to 'baby-fuse' and become pregnant, for the good of Sisterland, she feels 'mos' that she had never know existed. Her regimented surroundings start to seem smothering and she has more questions than answers. If only she had someone to talk to. Can she risk asking about her feelings? Is there anyone in Sisterland she can completely trust? Is this place really for the benefit of womankind or is there more than meets the eye?
Martina Devlin has delved into her imagination and thrust the reader into a world of 'what if'...
What if you were not allowed think what you wanted to? What if emotions were a commodity? What if you were only giving birth to increase the population? All combined, these concepts are fantastical, but when individually examined, many have occurred in many regimes, worldwide, already. How insane was the Nazi regime during WWII? How many baby girls have been dumped in China? How many young women were used for breeding an Aryan Race? Why do whole countries let a small number of people make such important decisions without questioning their motives? Simplistic, I know, but hindsight is a wonderful thing and this book brings the idea to a new level. Set in the near future, science is not the cause of this extreme idea of a female-led society. Unusually, there is no manipulation of embryos, artificial insemination or test tube trials. The good old fashioned baby-making ways are used, but under controlled guidance from specialised staff. Pregancy terms are shortened, to facilitate more births at a faster rate, and 'Sourcing places' take the place of hospitals. The Nine (the governing body of Sisterland) are a sinister crew, who have more than a few shady moments, making the book even more interesting. How far-fetched is this novel? Not very, it seems. Restricting the flow of information and editing history can lead to a very different future. Clever manipulation, piped smells and music, thought-forming chants and complete segregation. Is it completely improbable? This amazingly clever novel makes it seem eerily possible. Using an inquisitive young woman as its protagonist, the author is able to address the whole background to Sisterland, and how it came to be. The additional characters are fantastically drawn and link many issues seamlessly. It may take the reader a little while to settle into the language and identify with individual characters, but once in, you won't want to leave this bizarre world. Your dreams may move to another level, your thoughts on history may jar and your awareness of your own emotions may increase. Welcome to Sisterland. A world not that far removed from the one we live in...
Highly recommended.
0 of 0 people found the following review helpful.
Will find a place in the canon. Hugely effective dystopian urban fantasy.
By orla mcalinden
About Sisterland
Urban fantasy (fantasy/sci-fi set in a world that is very definitely and recognisably Earth) is not a genre I read often, for no reason other than there being only so many hours in a year. How glad I am that I picked up Martina Devlin’s urban fantasy ‘About Sisterland’, which I chose based on her previous excellent novels, rather than on genre per se.
Sisterland is a utopian society set in the 22nd Century, occupying the area we know as North and South America. After Man-kind virtually destroyed the Earth during World War III, the women of Sisterland had no choice other than to seize the reins of power. Eschewing the violence, emotion, instability and danger inherent in the failed Patriarchy (which had had ten thousand years to prove itself, to be fair) the benign dictatorship of Beloved and “the Nine” set out to create a utopia of calm, rational, non-violent, equitable living. What could possibly go wrong?
It is impossible to read this chilling novel without reference to some of the absolute literary classics which have informed its creation. Aldous Huxley, George Orwell, Margaret Atwood and Terry Gilliam’s Brazil were all close to mind as I read Sisterland. The world has developed its own range of Double-speak and the neologisms are interesting and easy to place (although a helpful glossary is included). The “Soma” of Aldous Huxley’s Brave New World (a gram is better than a damn) would not be tolerated in Sisterland, which has a fairly draconian attitude to healthy living and mind-altering substances, although wine is allowed. But the function of Soma (to placate and ameliorate the masses) is given over in Sisterland to workers called Flickers who dispense careful rations of positive emotions to sisters who need them (and who can afford them). As our protagonist, Constance, is about to discover; all sisters are equal, but some sisters are more equal than others.
Unlike in Huxley, there is no official hierarchy of inhabitants, no woman is an Epsilon semi-moron, sweeping the streets, because Sisterland is a meritocracy and all work is for the good of the community and no work is demeaning…well, apart from that carried out by men. I found it fascinating that after a lifetime of talking and reading about farmhands and hired hands, I never fully appreciated the demeaning and insulting nature of the phrase until a café owner in Sisterland speaks of having “two pairs of hands” working in the kitchen. The hands are attached to arms and the arms are attached to men, but that’s not really in her thoughts; when these two pairs of hands wear out, they will be ‘discontinued’ and replaced with new young slaves. Problem solved.
Devlin has taken a fascinating sideways glance at extremism and segregation. Whether you choose to see this as a parable of Northern Ireland’s two communities pulling apart instead of working together, the scandal of misogyny and female subjugation, or the widening chasm between Western values and those of the developing world, Devlin gives us a not very exaggerated view of what happens when we decide to waste the talents and abilities of an entire sub-section of our human family. Fascinating and worthy book. Highly recommended.
0 of 0 people found the following review helpful.
Now when a society tries to oppress emotions and memories like Sisterland does
By Jack Paul Crill
Both females and males have the same innate and finite number of emotions as a whole, but when it comes to each individual person either female or male that is where it changes. Emotions are not relegated via genderism but rather by individualism. Everybody is different at the individual level and we each share different emotions in different ways. One individual may have a tighter control over a certain emotion while another individual has a weaker control over that very same emotion. Emotions are a psychological study not a sociological study, therefore emotions or certain emotions do not belong to one gender or one race or one society. Now when a society tries to oppress emotions and memories like Sisterland does; then it is a society trying to suppress and control the human will of the individual which makes that society very non-tactile and sterile. This is never a good thing nor will it work one hundred percent effectively. There is one book I would advise a reader to read before or after they read Martina Devlin’s ABOUT SISTERLAND and this book is Aldous Huxley’s BRAVE NEW WORLD REVISITED. It is a great non-fiction work explaining how people who hunger for power will use propaganda to brainwash and control the individual.
The major thing I got out of Devlin’s ABOUT SISTERLAND was yes, of course, in speaking of physical biology, females and males are quite obviously different, but emotionally females and males are quite the same. In the “Interview with the author” section Devlin is asked this question: “Can you reduce ABOUT SISTERLAND to one sentence?” Devlin responds with “I can reduce it to one word: extremism.” As in most dystopian novels, the theme is how totalitarian societies operate in wanting total complete control of their citizens or subjects, but I think the deeper meaning of ABOUT SISTERLAND is emotions and how they play out in the life of individuals.
Devlin also has shown through ABOUT SISTERLAND that there is a very fine line between groupism and individualism. A society cannot force all of its citizenry to conform 100% to the will of the leader or leaders of that society. For the most part, they can get the majority to conform to most of their ideas and plans. The majority in this instance are usually considered asleep and led blindly by the leadership of their society. H. L. Mencken coined the term “boobigeois” to this definition. Now, how a revolution happens is when the majority no longer can support the leadership of their society and they revolt against the leadership of that society. In other words, the haves {the leadership} are defeated by the current have nots {the minority who now have become the majority} now after the revolution is over the old have not minority become the new majority while the old have majority becomes the new have not minority. This can be summed up by the theory promoted by Hegel know as historical dialectics. Historical dialectics also can be summed up in a simple mathematical formula which is as follow: thesis + antithesis = synthesis.
In writing dystopian literature, an author seems confined to finite topics and within those narrow confines different authors seem to come up with new and refreshing storylines of their own that richly enhance the genre of dystopian literature. Devlin has most brilliantly excelled at doing this with ABOUT SISTERLAND. Devlin has found another genre of literature that she belongs in the upper echelons of that genre and that genre would be dystopian literature. ABOUT SISTERLAND rates right up there, no it surpasses, Orwell’s ANIMAL FARM and 1984 as well as Huxley’s BRAVE NEW WORLD also Bradbury’s FAHRENHEIT 451.
Devlin, as in her past novels, has done it again with ABOUT SISTERLAND. She has so richly given us both in depth sociological and psychological dimensions to the development of each one of her characters found in ABOUT SISTERLAND even right down to the most minor one, as well as, giving us most vivid and lucid details of each one of her settings in ABOUT SISTERLAND that it makes you feel that you are apart of the story as a character instead of just a mere reader of the novel. This is a true mark of an excellent author and writer of fiction of any genre and that is why Devlin should be considered to be in the upper echelons of the elite class of fiction writers of all time.
ABOUT SISTERLAND should be a college textbook in an upper level college course of literature, history, sociology, psychology, political science or philosophy. If I was a professor at university teaching a course in dystopian literature, I would make Devlin’s ABOUT SISTERLAND required reading and it would be read completely every time I taught the class. I would require each student of the class to write a minor opinion paper on it, as well as, have an exam on it. Both would count as 25% of their total grade.
Now, to the book.
Devlin delves into emotions and memories in a most highly complexed way, but how she effectively does this is to make them very understandable through her characters feelings and how they react to them.
In ABOUT SISTERLAND, Devlin also effectively gives us an understanding of how a relationship between a man and a woman develops in various ways: sexually, emotionally, etc. through her two main characters Constance and Harper. Devlin also discusses how important family life between a man and a woman is as well as how it is important when a baby comes along. It is not fair for a baby not to have the love and support or a nurturing family unit.
Devlin always gives us O’Henry twists in her novels. The reader will not be disappointed because she gives a couple of them in ABOUT SISTERLAND!
There is a wonderful section of topic questions at the back of the book that would be a wonderful aid to any book club choosing to read Devlin’s latest work entitled ABOUT SISTERLAND.
Simply put, when Martina Devlin writes a novel, it is for all the ages to come because there will be an interest in Devlin’s writings for many a millennia from now on!
Written on:
Sunday, 18 October 2015
Jack Paul “Joe” Crill
Canyon, Texas
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