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Kill Your Darlings: A Novel, by Terence Blacker
Download Kill Your Darlings: A Novel, by Terence Blacker
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Gregory Keays is a writer whose brilliant future is behind him. Corroded with envy, Gregory watches as his contemporaries produce better work and live happier lives while he teaches community college composition classes and compiles books about other books. One day, Gregory is convinced, the world will recognize his talents. In the meantime, his marriage to a new-age feng shui artist has become cold and distant, and his relationship with his reclusive teen-age son is in free-fall. But when a brilliant student enters his life, Gregory is offered one last, glorious chance to save his career.
Soon, however, Gregory's Faustian pact with success unravels around him, and he must turn to darker, more duplicitous means to secure his fame. Set in the dangerous world where real life and literary ambition collide, Kill Your Darlings is an unforgettable novel of ego and delusion, villainy and the betrayal of love.
- Sales Rank: #2427771 in eBooks
- Published on: 2015-08-25
- Released on: 2015-08-25
- Format: Kindle eBook
From Publishers Weekly
One can't help wondering what Martin Amis thought of this dark and delightfully biting novel when it was published in England last year. Amis is the bˆte noire of Gregory Keays, the serenely unreliable narrator who keeps harking back to 1983, when he and Amis were both included in Granta's list of Best of the Young British Novelists. Now Amis is famous while Keays is teaching at a mediocre institute in West London, attempting to work on a new novel, unable to talk to his teenage son, certain that his wife is having an affair and totally blind to his own failings as a husband, a father and a writer. After Keays's nonchalant reaction to an impulsive tryst with his most talented student, Peter Gibson, ends in tragedy, Keays can see only opportunity: Gibson had completed a novel, the manuscript of which Keays is going to finish and publish under his own name. That's when the reader finally wakes up to the fact that Keays, while clever and mordantly funny, is so inhuman that the novel becomes a wonderfully creepy examination of the unreliable narrator convention. It's refreshing to see an author take a potentially slick concept and use it to open up the kind of dark places in the human heart that Keays criticizes Amis for never exploring, especially since those are places that Keays wouldn't know the first thing about exploring in himself. Further entertaining the reader with footnotes and Keay's memos to himself, Blacker captures perfectly the writing style of someone who walks the tightrope between "Look at what I just wrote!" and "Look at me; I wrote that!" Blacker should take a bow on both counts.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
Once hailed as one of England's most exciting young new writers, Gregory Keays now struggles vainly in middle age to match his earlier success. Though trapped in a severe and lengthy slump, he manages to keep up an authorial pretense by teaching creative writing, working as a journalist for a literary periodical, and researching a "book of lists" about writers. Gregory, however, cannot nurture the blessings in his life, which include a lovely wife and son, both of whom he alienates. Believing the self-serving myth that a writer's actions, however immoral, feed and are therefore redeemed by the excellence of the art, Gregory absolves himself from any guilt associated with his marital infidelities, which include affairs with students and visits to brothels. After one of his gifted young students commits suicide, Gregory appropriates his work and comes back with a smashing new novel; then things really begin to unravel. Blacker, known for his children's books and the author of a few adult novels as well (e.g., The Fame Hotel), delves more deeply and convincingly into the pit of narcissism, mayhem, and soul-destroying Faustian bargains than does Kurt Wenzel in Lit Life (LJ 8/01) or John Colapinto in About the Author (LJ 8/01). Highly recommended for all fiction collections. Sheila Riley, Smithsonian Inst. Libs., Washington, DC
Copyright 2001 Reed Business Information, Inc.
From Booklist
It's difficult to like someone as egotistical and totally lacking in self-awareness as Gregory Keays, a writer of--in his own mind--immense talent who has never received adequate recognition. Reduced to teaching creative writing at a local university, Gregory discovers that one of his male students is a brilliant writer and, while "mentoring" the young man, has his first homosexual encounter. When the boy later kills himself, Gregory pilfers his writings and claims them for his own, launching the brilliant literary career he feels he has so richly deserved. Sadly for Gregory, however, the maxim of "reap what you sow" comes true in a climax that is as poignant as it is paradoxical. Blacker creates a complex character study of a man for whom the reader will feel equal parts pity and disgust, whose sheer pomposity and selfishness are as outrageous as they are pathetic. Like Donald Westlake's The Hook (2000), Blacker's novel is literate, clever, and entertaining, with an aura of dark violence juxtaposed against witty digs at the world of the literary glitterati. Emily Melton
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
5 of 5 people found the following review helpful.
An excellent psychological character novel
By Michael K. Smith
Gregory Keays is a writer whose future is, as they say, behind him. One novel, a short period spent on the "young writers to watch" list, and the only thing he has produced since is a dozen unfinished novels and a series of not-yet-published volumes about other writers. He writes a column for a writer's magazine and teaches a writing class at a local institute, while his wife has become one of London's leading interior decorators, earning far more money than he ever will. His relationship with his teenage son is terrible. Gregory's envy of those who were once, potentially, his peers has been eating his guts out for years. Most of those working writers, in his opinion, are mere authors; only he is a real "writer." This is especially true of his opinion of Martin Amis -- whom he always refers to as "Martin." (One must wonder about the true relationship between Amis and Blacker, if any. . . .) Then Peter Gibson shows up in his class and Gregory recognizes true talent. He casts himself as Peter's guide to the literary world -- and discovers the young writer has just completed an amazingly mature, groundbreaking novel. A novel that should have been his. Will be his.
This book started out witty and ruefully funny; you shake your head while smiling at Gregory's corrosive ego and self-delusion. After awhile, though, he's not so funny. And by the denouement -- which I, for one, did not see coming -- he has become downright scary. This study of the decay of an admittedly intelligent man's self-image is a remarkable piece of work.
3 of 3 people found the following review helpful.
A Black Comedy for the Publishing World
By momandteacher
Most English majors think they have a novel or two in them; after reading this book I think I want to avoid the publishing world all together. Writers can be so mean and petty toward each other! That's the impression we get from this dark look at writing and the writing lifestyle, and I loved every page of it. Blacker puts in these lists of famous writers and their quirks (what they did to unblock themselves; quips about their art) that would make a good book on their own (I guess he is working on one that will be out soon). This book is unlike anything I have ever read: Keays seems so honest and trustworthy as first person narrator, but he turns out to be pond scum. And what a surprise ending! It's one of those books where you finish it and start right back at the beginning to see if there was any inkling early on that it would end the way that it did. There isn't, I checked. I thoroughly enjoyed it!
2 of 2 people found the following review helpful.
One of my favorite novels
By Slothia della Lethargica
I wish this guy would write another novel. Kill Your Darlings is an absolute gem -- funny, twisted, and clever as hell. It's told from the point of view of a washed-up, one-hit-wonder writer, who now teaches at a community college and has been working interminably on a trivia book about other writers. Each turn of the page provides a hilarious, outrageous surprise. Our hero is pretentious, pedantic, preening, vain, and resentful (especially of Martin Amis, who he views as a peer, but who "affected to not remember" our hero! at a conference). To say more about this book I'd have to give away some of the delightful plot turns. Trust me, this book is a twisted riot.
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