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The follow-up to Zachary Jernigan's critically acclaimed literary debut No Return.
At the moment of his greatest victory, before a crowd of thousands, the warrior Vedas Tezul renounced his faith, calling for a revolt against the god Adrash and imploring mankind to unite in this struggle.
Good intentions count for nothing. In the three months since his sacrilegious pronouncement, the world has not changed for the better. In fact it is now on the verge of dying. The Needle hangs broken in orbit above Jeroun, each of its massive iron spheres poised to fall and blanket the planet's surface in dust. Long-held truces between Adrashi and Anadrashi break apart as panic spreads.
With no allegiance to either side, the disgraced soldier Churls walks into the divided city of Danoor with a simple plan: murder the monster named Fesuy Amendja and retrieve from captivity the only two individuals who still matter to her - Vedas Tezul and the constructed man Berun. The simple plan goes awry, as simple plans do, and in the process Churls and her companions are introduced to one of the world's deepest secrets: a madman, insisting he is the link to an ancient world, offering the most tempting lie of all - hope.
Concluding the visceral, inventive narrative begun in No Return, Shower of Stones pits men against gods and swords against civilization-destroying magic in the fascinatingly harsh world of Jeroun.
- Sales Rank: #158082 in Audible
- Published on: 2015-08-13
- Format: Unabridged
- Original language: English
- Running time: 566 minutes
Most helpful customer reviews
1 of 1 people found the following review helpful.
Great but different sequel...
By L. K. Evans
"Normal men can indeed be turned into monsters — ordinary, unimaginative monsters. Even with their lives preserved for eons, they are of one design."
"Being alone is easier than having a family. When you have a family, you are responsible to each other. It’s easier to navigate the world without that burden."
"Without a path to redemption, a man would watch the world burn. With a measure of hope, the same man ...
Well. He would not be the same man, would he?"
"Men deluded themselves when they believed in better days, some bygone era when the sun shone brighter. Better days had never existed. Joy had always been stolen, and sweeter because of that fact."
"Death. Once acknowledged, it could not be unseen."
"Has the world always been this way? Does each world possess a god it must overcome to achieve adulthood?"
"A life could be so long, yet it still failed to teach one about death. That moment, he had always known, would not be meditative. Time would not wait, but hasten the end. It would come too fast, rendering all the periods of one’s life into a fleeting memory, no more substantial than any other life."
So this was interesting for me. Different from No Return. Or perhaps I’m a different reader. I’m not sure. I didn’t read the first one again, like I had wanted to. Instead, I jumped right into the second book. I kinda regret that decision, but it is what it is.
I’m not sure how to talk about this book without giving stuff away, but I’m going to try. Hopefully I can convey my thoughts in some form of intelligent sounding sentences. As far as a summary of this book’s plot, I’d have to refer to Jernigan’s blurb, which will make more sense than what I’m about to write. The story basically follows three of our main protagonist from No Return as they get caught up in a plot to save Jeroun. Although, that is really really simplified. So, let me get on with my thoughts.
As you can see from some of the quotes I listed above, there were some deep thoughts in this book. I’d consider this more reflective than a quest driven standard fantasy/sci-fi mix. Matter of fact, I don’t feel as if the characters changed a lot between the end of No Return and the end of Shower of Stones. Sure there was a little, but not nearly as much as in No Return. Shower of Stones seemed more of an examination of the what it means to live, to die, to love, to fear. That was the focus. Not a god constructing a world-destroying needle in space. At least, that was how I felt. Good? Bad? Yes. It would depend on what kind of mood you’re in and what kind of book you’re looking for. Personally, I enjoy the deep thoughts of Jernigan. I think that’s why I like his Bottom of the Sea shorty story compilation more than I did No Return. Those short stories have stuck with me ever since I read them.
Now, normally I’d throw myself a little tantrum and mope around about not having that intense character obsession that I love. I didn’t, though. Instead, I used my pitiful imagination to connect with Jernigan’s writing. When something happened, it wasn’t stated as a fact, it was explored in detail. For instance, there is a scene of a character waking after surviving a horrible experience. The sensations and his physical state were described over about two pages, and then his recollection of events for perhaps another two. The characters in this book are always thinking, and we are along for that ride. It makes for a long read, and if you really, really boil down the plot, not much happens.
The length of the book is made up of musings and imagery. As some of you know, the imagery part should have prompted a level of boredom from me. I would be lying if I said on mornings when I was tired and my brain was not yet awake that I still dived into this with reckless abandon. Those mornings I found myself dreading the book because it would remind me how much I truly struggle to create images in my mind based on descriptive descriptions (if that makes any sense). It made me take a nap, because my brain hurt. I can describe a picture, but it’s ten times harder for me to come up with my own picture based on the words of another. It’s one of the challenges I face as a reader. It’s why lengthy, detailed descriptions usually bother me.
The reason I overcame this usual annoyance was simply Jernigan’s writing. I find his sentences fascinating, masterful at times. I read him for his descriptions. I read him for how all his characters view situations, life itself. All his works I’ve read have had a level of depth that I’ve enjoyed. The descriptions are not just descriptions, but perceptions and sensations from the characters point of view, conveyed sometimes poetically. It’s hard to find that in books. That type of book isn’t something I would read over and over. I mean, if I did, I’d be devouring a meager book a month and I'm sure at one point my brain would stutter to a halt. There’s a place for fast paced books, books that just move. Then there’s a place for more reflective books. Jernigan, so far, has written the latter, in my humble opinion.
I will say that I didn’t struggle as much with this one as I did with No Return. I think it was because I had a good foothold in the world. It was familiar. There were hardly any new places—places that stretched my imagination. So for those looking for the fun, crazy places delivered in the first book, be prepared to be disappointed. Not to say this one wasn’t inventive, it just didn’t have that out-of-the-box shock factor of the first one. I’d lean it more towards a philosophical tone than the journey tone of No Return. But boy howdy, when there was action it was incredible and fun and descriptive and gory and wonderful!
So overall, if you liked No Return, you should read this. If you didn’t, well, read it anyway. It’s different in a lot of ways. Matter of fact, this would be a book that both my mother and sister would enjoy. The sex is (sadly) less, the cursing as well. Shame for me; good for mom.
P.S. A few side things I must mention because I do whenever I notice it. First, there were editing errors that stuck out. Second, the price of this book is painful, especially for an ebook. I know the author doesn’t have control, but ouch. As of now, Amazon (of course) is the cheapest option.
2 of 2 people found the following review helpful.
Not as edgy or innovative as the first, but it's deeper and more well-rounded,
By Bob Milne
Like its predecessor, No Return, the second novel of Jeroun follows two converging story lines - the first featuring the triumvirate of Vedas, Churls, and Berun, and the second featuring the scientist/magician Pol. It's a narrative format that echoes the first novel quite nicely, creating a natural flow or connection between the two, but that's really where the similarities end.
As hard as it may be to believe, Shower of Stones is a darker, more complex, more philosophical novel. Zachary Jernigan really takes us beneath the surface of that first narrative to confront what it means to be human, to be in love, and to hold onto hope for a better tomorrow. That's not to say that this is a shiny, happy, hopeful fantasy - far from it! - but we're climbing towards the possibility of a future, rather than towards an end.
The opening chapter or arc of a novel really serves to set the tone for what comes after, and Jernigan sucked me in immediately. He takes us deep into the history of the world of Jeroun, to a time before Adrash was the only god in the sky, and fully fleshes out a mythology that was only hinted at in the first book. We meet the gods (demigods?) whom Adrash created to keep him company and to provide a sense of a family, and witness firsthand as his depression and his madness drive them to wage war upon a world and attempt to drive him from the skies. It's a fractured, damaged, incestuous family dynamic that evokes memories of Greek mythology, but which is something entirely new and exciting.
In the second arc, he takes us deeper into the heroes of the first book, revealing the heart and soul of Vedas, Churls, and even Berun. Whereas No Return was largely a story of mistrust and animosity, Shower of Stones is one of trust and friendship. The seeds of character development planted in the first book are allowed to take root and blossom here, driven in large part by a mysterious new character who announces himself by arriving on the back of a dragon. I won't say much about him, as his secrets are a cornerstone of the book, but I do have to say a few words about Fyra. As much as I liked the mystery and the cryptic nature of her presence in the first book, I was excited to see her become a character here, extending the heroic triumvirate into a quartet. This arc is certainly the longest of the novel, eating up far more pages than (on the surface) seems wise, but somehow Jernigan makes it work. It's a long period of talking and philosophizing, without a lot of action, but the internal conflicts really work to expose the significance of the first arc, and to bring the two of them together.
The final arc involves, of course, the final confrontation with Adrash. Again, there's not much I can say here without spoiling things, but I was pleasantly surprised by how it all played out. I thought I knew where Jernigan was taking the story, but he weaves in some twists and turns that keep you guessing right to the end. Anybody getting a bit antsy over the lack of action in the second arc is well rewarded here, as everything comes together, with gods and heroes carving out a new mythology. What's refreshing, however, is that he doesn't allow the mythology to overwhelm the human element, and doesn't allow the war between gods to push the heroes to the background. It's a delicate balance when dealing with such very different forces, but I loved the way everything intertwined and came together.
Shower of Stones is a very different book from No Return, both in terms of content and pacing, but somehow it all works. It's not as edgy or innovative as the first, but it's deeper, more well-rounded, and more . . . well, significant is the only word that comes to mind.
1 of 1 people found the following review helpful.
A Fantastical Tale with Meat on its Bones
By Teresa Frohock
Until Shower of Stones, I had only read Zachary's short stories, which I found to be quite impressive. I have not read No Return: A Novel of Jeroun. I wanted to read Shower of Stones to see if the novel could stand alone--it does; although I would recommend reading the glossary in order to familiarize yourself with some unfamiliar terms and concepts if you have not encountered No Return.
Shower of Stones is one of the few books that successfully utilizes a prologue and an epilogue, two unique pieces that tie the story together to form the foundation of its themes. The story is ambitious, especially in light of the word count. Jernigan could have easily turned this into a 400 page tome, but the very poetry of the story lies in his ability to render a complex tale with so few words.
The blurb gives the reader the idea that the story is about Vedas, Churls, and Berun, but that is a sleight of hand. They are all here, present and accounted for, but I never felt like the story was about them. They appear to be vehicles for Shavrim's story.
And who is Shavrim? If you remember No Return, the god Adrash mercilessly rules the world of Jeroun with a heavy and malicious hand. In Shower of Stones, he creates a family, a "minor pantheon" of gods, which he sees as a gift to the world of Jeroun. The first "child" is Shavrim:
A lavender-skinned, devil-horned boy named Shavrim Thrall Coranid.
He was not born, but tipped from a jar. Nonetheless, he grew as if he were a child.
So begins Adrash's plan to inspire mankind. After Shavrim has grown to adulthood, Adrash creates five other "children," each with different aspects of character. With these six children, the god hopes to usher in a new age, but instead, his children turn on him. Led by Shavrim, they try to kill him. Instead, he murders his children--all but Shavrim.
But that, too, is an illusion.
Jernigan deftly hides the second coming of this strange family behind the adventures of Vedas, Churls, and Berun. These minor gods, the souls of Adrash's children, manage to possess Vedas, Churls, and even the constructed man, Berun.
It is in these scenes where the characters--especially Vedas--realize they are not alone in their own minds that Jernigan's prose shines. I found the maturity of the characters and their decision-making abilities to be quite refreshing. In a fantasy sea of young adult protagonists, it's absolutely marvelous to find characters whose angst is no less agonizing but managed with insight and acumen.
Jernigan explores the concept of free will through his characters' realizations that gods ride their minds and bodies. However, each god uses Churls, Vedas, and Berun, not as vehicles of revenge, but in order to free humankind from the unjust god, Adrash.
Although he is a god, Shavrim's human desires for family and love give us a character with whom the reader can empathize. By contrast, Vedas and Churls seem almost cold. Vedas is analytical to the point of emotional detachment from all but Churls, who is distanced from everyone by the trauma of her own past.
In spite of Churl's anger, I enjoyed the relationship between her and her dead daughter, Frya. Theirs was one of the most realistic mother/daughter relationships I've seen portrayed in fantasy in a long time.
The points-of-view of Berun and Sradir arrive late in the novel, but they were truly my favorite characters. Especially the god Sradir, who asks:
Has the world always been this way? Does each world possess a god it must overcome to achieve adulthood? There are no answers to these questions. We fight, you and I, against what we can see.
These are the philosophical questions that Jernigan poses to the reader through his characters' interactions with gods and other humans throughout the novel. And yet, Jernigan doesn't become bogged down by juxtaposing literary themes within a fantastic tale of another world. The story moves at a satisfying pace with enough magic and fight scenes to satisfy any fantasy reader.
Yet for those of us who appreciate a fantastical tale with more meat on the bones, Shower of Stones delivers that in spades. Here is novel that simultaneously causes us to examine the context with which we view family, the gods, and the world around us, and it asks us to keep asking questions.
Even when there are no easy answers.
Highly recommended.
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